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s ever done? But, Mr K fuel dispenser ushner adds “They went away with
something else, this voice of Brecht s secular, cynical, wise, but which also connected with their
humanity.?
In Britain, English Touring Theatre s production of “Mother Courage?opened on October 5th; and at the
Royal National Theatre “The Life of Galileo? Brecht s study of the scientist whose discoveries shook
Christianity, has been one of the hits of the late summer. Directed by Howard Davies in a translation by
Sir David Hare, this Galileo is one for our time engaging, accessible, full of quarrels about secularism
and the rigidities of faith.
Simon Russell Beale as Galileo is a cigarette-smoking, whisky-swigging intellectual who would not be out
of place in a red-brick science fuel dispenser faculty. The revolving set fuel dispenser , with its stylish cupola and planetary holograms,
could be part of the CERN particle physics laboratory.
Mr Davies acknowledges that the playwright is still a challenge for British audiences “‘Galileo is a risky
proposition. Political theatre in Britain since the late 1970s has taken a dip, and Brecht was always
perceived as political. But, in a big way, it s timely to revive him. ‘Galileo describes a schism over
interpreting the world how could anything be more relevant? Considering the Middle East and the issues
that have arisen from that, I think the play has if anything increased its currency.?
But don t Brecht s own ideas inevitably inhibit today s directors? “Once, those theories were vital for a
strike against bourgeois theatre. That s their context. Now, they re scaffolding and don t have to be
shown,?argues Mr Davies. The production s 21st-century dress is complemented by Sir David s brisk
script. A dense scholasticism and clunky, scene-setting rhymes have been replaced by an urbane English
demotic that is plain and unadorned.
Sir David, too, believes that Brecht remains modern “After the fall of the Berlin Wall in 1989,
communism was seen to have failed. That seemed to render B